a-D-hd

040121: Snap

Presentation on the use of photography as a design tool for the 36th National Conference on the Beginning Design Student hosted by the Department of Architecture at Texas A&M University. A response to the conceit that architecture is "After Form."

022521: Architecture Everywhere

"Talking with Architecture," public presentation on the (history of the) exhibition of architecture for the District Architecture Center.

071420: Not So Concrete Zofie King & Pierre Davis with me (Andrea Dietz), a panel discussion about architecture-plus (nature and psychology), organized by Elizabeth Ashe and Mary Pat Norton through the DC Commission on the Arts & Humanities.

022520: Black History Month @ the Embassy of Switzerland. Deciding and doing with Ini Archibong (in conversation with Marc Benda and Felix Burrichter).

062119: Preserving the City of the Future Civic and Corporate Los Angeles in the 20th Century @ LACMA. Valuing Pereira while sitting in his condemned museum: "There's an elephant in the room."

042519: Convening Philadelphia Common Field's annual gathering of arts activists and organizers. Calling and responding, all-hands meeting, eating and dancing, performing and touring towards inclusive and progressive communities and creative practices.

040419: Homework for Nao Bustamante, Annual Dudley Memorial Lecture @ GWU's Corcoran. Do your taxes. Make Thursday night sacred (for focusing on your own art). And, wear your kevlar.

032819: Black Box Articulating Architecture's Core in the Post-Digital Era. 107th ACSA Annual Meeting in Pittsburgh. Let's please remember, "the center is not the center."

030819: Exhibiting Fashion @ The Museum at FIT. A manifesto for contemporary curation in ten points by Dr. Christopher Breward. Behind the scenes of 'Frida Kahlo: Making Herself Up' and 'Found in Translation' with Circe Henestrosa and Ana Elena Mallet. And, design as close reading with Judith Clark.

021519: Record / Replay Data, Technology and Experimental Preservation @ Columbia GSAPP. Drones, perfume, and a 'play'ful critique of architecture's interpretation of OOO.